The Ultimate Guide To Successful Art Shows and Fairs

Why art shows and fairs are so important, the upsides and downsides of doing them in person, and how you need to think about them tactically to win (no one ever talks about this).

Introduction to the Guide

This post is gonna be a beast. ๐Ÿ‘น

What it's not going to cover is how to find shows, or how to setup your booth, or which booth to buy. If that is what you are looking for then hit up Google on the internet machine. Posts abound on those topics.

Instead, this post is going cover what never gets talked about: the nuts and bolts of how to think about shows and how to get the most ROI โ€” return on investment โ€” out of them.

The goal is to make sure you you understand why shows and fairs are important, you understand how to properly think about them, and you are fully equipped tactically to dominate the next one you participate in. ๐Ÿ’ช

You don't need expensive courses or magic tricks to be successful doing shows.

This guide will contain all the wisdom you need to stack the deck in your favor and get the most out of every show you participate in.

During the show, and long after it has ended.

Photographer Mark Hersch uses these tactics to maximize his show revenue on the regular.

Why Shows and Fairs Are Important

I talk to thousands of artists and photographers every month and have been doing so for years.

All ages, degrees of success, niches, and geographic locations.

In my experience, 95 out of 100 of the successful ones (75k+ in annual sales) are either doing the show and fair circuit, selling direct from their websites, or both.

They are almost never successful selling via galleries or online marketplaces like Etsy.

If you want to turn your creative passion into a business, including some art shows and fairs as part of your sales and marketing is an extremely effective way to do so.

But just doing them isn't enough. They must be done properly. They must be optimized to ensure you get the MOST out of each one.

This is the key to ensuring you don't have to do them for the rest of your life.

A few years of hard work put into shows and you can be left with a collector list that can support you for the rest of your career.

Let's start with the upsides and downsides of shows and then we can get into the tactical advice.

Artist Kim Winberry's Booth Setup. She's well familiar with the upsides to in-person shows.

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The Upsides and Downsides of In-Person Shows and Fairs

The Upsides! ๐Ÿ‘

Good news here is the upsides FAR outweigh the downsides. Let's take a look at a few of them:

  • Fantastic way to validate your work, new niches, ideas, and directions. Wondering if your existing work or a new idea will sell?  No faster way to find out than to get it in front of real humans immediately and find out. (You will never know otherwise, so stop wondering "if" and get answers!)
  • They are an incredible way to capture leads. Leads are just email addresses from people interested in your work โ€“ they are, next to actual revenue, the most important part of doing a show.

Faster and higher quality!

  • They force you to order/carry inventory and learn how to merchandise your art. You don't sell JPEG's. Yet that is what most folks post on social media all day. When you do a show, it forces you to acquire inventory of your work so you learn how to present it and merchandise it. This is a huge one.
  • Gives you the opportunity to practice selling and negotiation. Most don't like doing these parts.  Yet it's one of your most important skillsets and you are going to be doing both for the rest of your career. Like a muscle, it needs frequent exercise. Do that and your entire business will continue to improve.
  • Great way to get commissions. Yes commissions represent immediate revenue to your bottom line.  Yet they also represent an idea machine to alert you to new niches, ideas, and avenues you can potentially explore and add to your lineup.  Commissions are a big deal. ALWAYS listen to what the market is telling you (whether you decide to take the commission or not).
  • Great promotional content for your current email list and subscribers + social media profiles. Your work, beautifully setup in a booth and properly merchandised gives you great content for your audience.  It lets them know your work is for sale and it creates FOMO (fear of missing out) at the same time. Also great to give your local fans a venue to come see you.
  • Incredible venues to run live art shows. Your booth + your art +  your phone broadcast live to your social media profiles for everybody that cannot be there in person (Don't worry, more on this in the tactical section). This really helps to squeeze additional revenue out of the event and very few ever do it.

On balance, doing in-person shows and fairs are chock-full of upsides when done correctly.  Like everything in business though, they also have downsides...

The Downsides ๐Ÿ‘Ž

Why list these here? Anytime you are evaluating a business strategy, you'd better know the costs. And there are some costs and some downsides to art shows to be aware of:

  • The admin and paperwork to get registered for them ahead of time. Not only do you have to find them but you have to do the paperwork to get accepted and make sure deposits are in etc.
  • The booth fees. Sometimes they are cheap and others cost several thousand dollars to exhibit. They represent dollars you are not going to be able to invest in other areas of your business.  You need to make them count.
  • The travel required; sometimes hotels and long drives. They are great when they are in your backyard. Yet to do multiple a year that often times means traveling and long drives and hotel stays which you have to factor into your costs.
  • Not every one is going to be profitable; they are hit or miss. This is just the truth of the matter and it underscores why you have to do multiple of them a year to stand the best chance to generate a positive ROI on the good ones to cover expenses on the bad.
  • Long days on your feet + the travel.  Why mention this? What almost always happens is when you finally do get home you are exhausted.  Which means after it's over, and you unpack,  you are going to lose another few days where you are not working on your marketing.

Great results here Mays.  I would be tired too!.

  • Opportunity cost. All of the time spent is time you are not working on other areas of your business. This needs to be factored in to your calculations.
  • Cost + storage of your booth and materials. Self explanatory here but again needs a mention.  Good news though is later we are going to show you some additional ways to get an ROI out of the booth investment. 

On balance its clear doing in-person shows and fairs are a great way to grow an art or photography business.

They do have downsides though so if you are going to invest the time, energy, and treasure to do one it's critical you understand how the smart artist or photographer thinks about them and what they know, that most don't.

Noreen might lose money at this show.  Does not bother her though.  What does she know that you don't?

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How the Smart Artist or Photographer Thinks About Shows

Perfect example of a class they should of had in art school or photography school.

How to generate consistent income and grow a creative business by exhibiting at shows and fairs.

If that class was taught in school the chapter in the book would begin with the 3 bullet points I am about to lay out.

If you read no other part of this article understanding these 3 bullet points is perhaps the most important part of the guide with number #3 being the most profound.

  • Shows are a game of archery. You have to fire multiple arrows to hit the bullseye.
  • Next to sales the leads you capture are the most important thing. The leads you capture at a show are often times more valuable (long-term) then the sales you generate at the show itself. 
  • The smart artist can afford to lose money at the show. What happens after the show is the whole ball game. 

Shows are a game of archery ๐ŸŽฏ

The bullseye in this case, let's say,  is a 5x + return on the investment made to exhibit at the show.

If you only do one of them you only have one arrow to fire.  Odds are never good with only one arrow to fire.

One arrow fired.  Now go shoot a few more.

If you instead give yourself 3-5 arrows to shoot you stand a much better chance at hitting that bullseye.

The smart artist knows this.  So when they start planning the plan is always 3-5 rather than just one.

When this planning enters your thinking, everything changes in your strategy and mindset, and your success will follow as a result. 

The leads you capture at the show are the most important thing ๐Ÿ’Œ

Not everybody is ready to buy wall art right now!

Even if they are attending an art show or fair.

Your job is capture as many leads as possible at a show such that you can market to them in the future for years to come.

Great show results Mark!

Nice job on the leads Stu! 

Shows and fairs are incredible opportunities to gather leads yes but more importantly, leads gathered in person, face to face, are WAY more valuable then ones achieved digitally.

The smart artist can afford to lose money at the show ๐Ÿค‘


Yep.  When you do a show with the proper plan, you capture leads, and MOST IMPORTANTLY you market consistently all year long after the fact, you can afford to lose money on a show up front as you know you will make it back up in time.

How art sells in the real world ๐Ÿ‘‡

This is how art sells in the real world.  Not everybody is ready to buy the first time they meet you or see your marketing message.

Marketing activity --> you capture leads --> you market consistently and you make sales for years to come after the original event.

This is a profound point so lets use some real numbers as an example.

Stu does a show.  Show costs him $2000 all in.  Stu sells $800 at the show and another $150 after the show follow ups (more on this in the tactical section below) and he also captures 73 emails. So all in Stu lost $1050 by doing that show.

One year later one of the 73 emails buys a large metal print for $700.  Now Stu is down $350 on that show.

In year 3 one of those 73 emails, just bought a vacation house, and because Stu has been marketing to them consistently over the years he is top of mind.

The client buys $25,000 worth of Stu's art to decorate the new home.

When you combine the 3 list items; doing multiple shows per year, capturing leads at all of them, marketing consistently after the fact is when the wins really start compounding and stacking up.

You never know which show or event is gonna be the big winner and quite frankly you don't care.  You are going to win because you are doing multiple per year and doing the marketing after the fact.

Most artists and photographers treat their fairs and shows like they would a bet in Vegas.  Is $ in > $ out?  Then it was a win.  If not, then no.

When you understand the big picture, and you realize each show is an investment with a longer payback period then just day of, you approach them and especially how many of them you do, completely differently.

None of the above is possible though without a proper tactical plan.  So let's get to sorting that part next.

Photos of San Diego with a view of San Diego in the background!  Good clipboard ready for lead capture as well. Time to get tactical at your show.

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The Tactical Steps to Get the Most ROI Out of Shows and Fairs

Ok so the plan is to list out, step by step, with examples, of how we advocate our customers run their shows and fairs.  

Disclaimer: This is going to be a bit advancedโ€” especially to the non-techie/new to digital marketing types โ€”  and some might find it overwhelming.

For the purposes of the tactical guide I think we split it between the "must haves" and "nice to haves."

Your job is to implement the must haves first and work your way to the nice to haves as you can.  Most people cannot do all of this right out of the gates.

If you just focus on the must haves then you are already gonna be setup for success and the rest will just amplify your efforts.

Must Haves ๐Ÿ“ˆ

Good news here is there are really only two; What your overall inventory looks like from a pricing standpoint and ensuring you are setup to capture as many leads as possible.

Let's break down each then we can get into our "nice to haves."

Inventory and Pricing ๐Ÿ”–

This topic is so incredibly important to getting the most ROI out of shows and fairs it needs its own blog post.  

Thankfully we have one for you.

Below is the link to that post and what some folks have been saying about it on Facebook  ๐Ÿ‘‡

Advanced Pricing Strategies for Artists and Photographers that are already selling
Everything you wish you knew about pricing that nobody ever told you, how to solve your pricing woes, and how to set your pricing for maximum ROI on your marketing efforts.

Read it ๐Ÿ‘ˆ (I'll wait here for you, take as much time as you need)

The post covers this in great detail but at a high level it's the following list.

  • You need items priced from; 0-$100, $100-$1000, and $1000+. When you have the range you are setup to capture all types of buyers and price ranges. You have something for everyone.  This maximizes sales and revenue as well as lead capture.
  • You need to have non wall art as part of the lineup. Not everybody is ready to buy art today.  Yet they like what you do.  When you have other items (tote bags, postcards, calendars, etc) then you will still get sales for these customers.
  • You need to properly markup your art so you can negotiate + run sales. We recommend a 250% markup on all of your prints as a general rule of thumb.  On originals set the price higher than you really want to get.  Doing so will allow you negotiate with potential buyers and run sales in the booth which will get way more sales over the line.

The most important thing you can do, is start doing shows.  If you don't have all of above on your first few that is ok.  You need to work up to this level though if you want to give yourself the best shot at maximizing your ROI.  

Randy Uses the Fishbowl Technique

Randy uses the tried an true fishbowl technique.

Optimizing for Lead Capture ๐Ÿ“ง

Aside from the sales at the show this is the next most important thing you can do when you do a show.

I would go as far to say it often times is what separates a show from being a loss into a win (in the short term).

Long term โ€” when you do the consistent yearly marketing after the fact โ€” it's what separates 6 figure a year + art and photography businesses from everybody else.

Here is the technique for shows at its core.

  • You offer a free something people can win. In can be a print or a merch item or anything.  Idea is all they have to do to win is give up their email address.
  • Winner to be announced after the show. Let folks know the winner will be announced after the show.  The fact it ends quickly increases the scarcity/fomo (fear of missing out) of entering.
  • Have the item on display where they enter. Display what you have on offer prominently and we like to amp up the display when possible.  Balloons work well here.

That's it? Yep.

It sounds simple, and it is, but its also incredibly effective.

Yet show after show myself and my team visits โ€” big ones, small ones, does not matter โ€” we see almost nobody doing this!!! 

Not only is it effective at capturing leads, but in the nice to have tactical section below it becomes even more powerful.

If you do your next show with these two must haves covered you are already properly setup for success.

Now its time to turbo charge those efforts.

Art Shows at breweries?  Good foot traffic, zero competition and cold beers.  Sounds like a win to me!

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The Step by Step Tactical Guide to Rocking Shows and Fairs aka the "Nice to Haves."

Time to start cooking with ๐Ÿ”ฅ

You know that doing shows have upsides and downsides and the downsides are primarily financial in nature.  

The following guide attempts to answer this question; What is the best sales and marketing strategy, that gives me as many ways to win as possible, by doing a show?

We are going to split the guide/strategy into three sections; before the show, during the show, and after the show.

In order to understand the various steps (and how they all fit together) you need to know ahead of time what you are going to be doing so below is a succinct list and the details will follow in the sections to come.

  • We tease and promote the upcoming show. Your email list + social profiles need to know; in-person folks might attend and for everybody else you warm-up your sale and live art show. 
  • You run a sale & live art show during the show.  For everybody that shows up in-person they get to see the sale.  For all those that don't show up they also get to see and participate in the sale because you are both running one as well as having a live broadcast, via social media, that let's everybody see what is going to be on offer.
  • You run the enter to win/fishbowl technique during the show. Afterwards you pick a winner, then let everybody else know that opted in you are running a special sale or extend the current sale just for them.


As I mentioned before this will likely overwhelm many (this is COMPLETELY normal and our customers tell us this on a weekly basis ๐Ÿ˜ƒ). 

You don't have to do all of it right away.  

Do what you can and work your way up to all of it. You level up, step by step.

Yes you have to pack up for the show but you can also leverage this work in your marketing.

Before the Show โฑ๏ธ

The marketing starts before the show even begins here is why.

  • It's great content for your email list and social media profiles. The packing up, organizing your pieces ahead of and time and getting everything ready is good social media content period as well as it lets your audience know you are about to have a big sale (more on that in a minute). It shows you are an active artist/photographer out there doing stuff, it has its own entropy to it, so show it off!
  •  You want to try and drive your local following to the show. Even if its not your hometown you never know where your social media followers / email subscribers live or might be that weekend.   It's your job to get the word out and let the chips fall as they do. Our customers routinely will leverage the in person shows to get local sales over the line.
  • Drive FOMO for everybody that can't come. Not only are you going to be having a show special sale but you are also going to be running a live art show in the booth. We want to use the pre-show window to warm up your audience for both of these so they are expecting them and excited about them.

Before the show we want to leverage all of our marketing assets and channels to get the word out; our email list, our social media profiles, and all of the various different social media post types they have on offer.

โฑ๏ธ Email List: Let your email audience know you are going to have a show. Let them know the details; the when and where.

We also advise that you tease some big announcements (which will be your show specific sale + live art show) at the show, that you audience really won't want to miss.

If folks have any questions let them know they can email you or send you a DM.

Love how Mays show the loaded up car, the entire squad in tow, and on the way to the show.  Great story telling here and great visual content for your social profiles.  Mays is going places!

โฑ๏ธ Social Sites: Same message as your email.  You are having a show, the when and where, and that you would love to see folks come / they are invited!

When it comes to your social sites do try and include both images and videos and for Instagram do include feed posts, story posts, and reels.

The content you make for this should be posted to both Instagram and Facebook.

โฑ๏ธ Sum It Up: Now everybody on your list / social sites knows you have a show coming up. You have some great content on your social sites too.  Some are likely emailing you about coming.  For those that cannot make it they know you are going to have a big announcement at the show and they are curious what that is.

Now we are ready to do the show.

Party outside the booth? We like it. It's why doing shows is such a great idea and proffer great content for your social media profiles.

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During The Show ๐ŸŽจ

This section is going to cover the basics and advanced stuff in detail.  We are also going to include some bonus techniques you can use. Let's start with our high level list and then into the detailed sections.

  • Continue to fill your social profiles with content. Yes we do this before the show but equally important throughout the show itself.  Its a win as its good content to grow followers.  Its a win as it lets people know you are there.  It's a win after the show is over too (more on that below).
  • Run a show specific sale. Sales just work.  Especially when you are at a show competing against other artists and booths.  Especially, during difficult economic times. Especially when they have real scarcity to them i.e show ends today and so does the sale.
  • You run the enter to win/fishbowl technique during the show. This technique ensures you are capturing as many leads from the event as possible. We will provide some additional detail in the coming section.  Again though it is one of the most important steps of the entire event.
  • Be prepared to upsell and optimize for AOV. Helps to have the proper inventory on hand for these situations but you can still do it with what you have.  Majority of the battle is just asking the question when a sale happens. Most artists never do!
  • Run a live art show in the booth. All the time energy and effort it took to get that booth setup and only people that come to event get to see it?  Nope!  Not when you run a live art show.

๐ŸŽจ Continue to feed your social sites: It seems like a small thing but it isn't. Let's remember our objectives here;  we still want to drive attendance to the show itself and we also want to have all of our followers and fans know we are having a sale.  

Mark Hersch does a great job in the video above setting the stage for the size of the event and teasing the booth and his content.

Here is another one I really like from artist Mays Mayhew.  Great content, great preview of the booth, calling people to come down, and creating FOMO.

๐Ÿงฐ Pro Tip: It's usually a good idea to spread the posting out across the entire day / weekend. You will reach different people at different times based on when you post.

Even if you photograph/video everything at once just spread the posts out through the day as you have time to do so.

๐ŸŽ Bonus Technique: When you make a sale its always a good idea (if it feels right) to ask the buyer if you can take a photo of them for your social media.  When they say yes this is also really strong content.

When the work is moving your audience will take notice.

One message you NEVER want to stop reinforcing is that your work is selling and having bright smiling faces of your customers goes a long way towards doing that.

๐ŸŽจ Run a Show Specific Sale:

If you read our pricing article then you have already set your margins correctly that you can run a sale and still have a great show.

To increase your chances of getting us human beings to take action the following is an accurate equation.

Discount + Scarcity = Human beings more likely to take action

It's just that simple and its just maths.  Its binary, its a 1 or a 0.  

Do you have the equation in play at your show or fair or not?  

If you do you are going to get more humans taking action i.e more sales and ROI out of the effort.

Does David bank the $1600 without the sale running?  

We will never know for sure but the maths are the maths; discount + scarcity = human beings more likely to take action.

Run a sale during the show and its fun to call it something; The Inflation Sucks Sale.

Use a discount; 10%-20% off storewide on items over $100

The scarcity; Sale ends today or at the end of the show

Again, its just maths, so the what you insert above is less important than just having it as part of every conversation you have in that booth.

Giveaway sign is prominent and a placard talking about the sale. Photographer Jarrod Ames is properly setup.

Important also to remember that the sale, and specifically having one, is going improve your chances at the in-person portion of the effort but its also gonna apply to everybody that can't make the show in person.  

Two bites of the same ๐ŸŽ  

Next we talk about the FishBowl Technique then we get back to our sale and how it applies to everybody not coming to the show.

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๐ŸŽจ The Fishbowl Technique:

I should mention the fishbowl comes exclusively from using this technique in conjunction with people dropping their business cards in it.

Not everybody has as business card anymore so the technique has evolved to really just get the email address; it can be digitally via the ipad, or old school style on a clipboard.

In this case its put your name and email on a piece of paper and throw it into the bowl.

There are a ton of creative ways to spin this particular technique.  The important part though is really just to have it.  When you do it just works.  Point is don't over think the what you are going to give away.  Pick something and go for it.

I do have to say though Mays I thought ๐Ÿ‘‡ was pretty creative!

Throwing in the voting option (often seen in coffee shop tip jars) tends to gamify the experience and often times increased the opt in percentage.

When you are coming up with yours I do like these general rules of thumb to try and follow.

Understanding that booth sizes, show rules, etc can vary from spot to spot.

Again though, rule #1 here... the only mandatory rule, is that you run this technique. 

  • Try and show the real thing they are entering to win You don't sell JPEG's.  If its the real item you are going to get more opt-ins so if you can show it prominently.
  • Let them know when the winner will be announced. I like using the language winner will be announced at the end of the show and also letting them know the item ships for free. (This creates scarcity)
  • Let them know they do not need to be present to win. Otherwise you are going to be answering this question a bunch. It's best to proactively answer this question.
  • When the instructions are clear people should be able to enter without you being there. What if you are busy closing a sale?  Are the instructions clear enough that somebody can come into the booth, be short on time, enter and leave all without needing a moment of your time?  If the answer is yes then you are winning.

Are you suggesting we use balloons?  If they let you get away with it you better believe I am.  THEY WORK!

  • Use creative ways to call attention to the giveaway. Balloons, water features, whistles, hooks; they all work.  If you have room to draw attention or get creative then do it.
  • Use all of the available real estate. If the outside of your booth is gonna feature then use the real estate. Perhaps you have a corner spot or the outside walls are gonna feature prominently.  If foot traffic is going to see it then put it to work. 

Ok with the fishbowl in place the leads are going to be rolling in; which is good because as soon as the show ends we are going to put them to work.

No we can get on to our live art show in the booth. 

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๐ŸŽจ Run a Live Art Show at the In-Person Show

I honestly love this part of the strategy so much. Both for the quality of content it produces as well as the additional ROI it is capable of generating from the time energy and effort it takes to do a show.

Let's look at an example.  Go ahead and skip around the video and tell me this is not an awesome thing to see.

Ok so you have now seen an example of a live art show but how do you do one, where do you stream it, how are you going to learn how to do it?

How To Run Live Art Shows 2022: A Quick Start Guide
The future of selling art and photography is via live Art Shows. This guide will define the terms, explain the "why" you need to be running them and the "how" you run them.

Read it ๐Ÿ‘ˆ 

That post, in two pages, covers everything you need to know about how to successfully run a live art show in your booth at your show.

Below are some finer points and tips on how to approach the show part and then what to do with the show afterwards.

  • Does not matter when you do the live broadcast. It can be first thing when you are done setting up or after it's already over. The main goal of the broadcast is to have a video to be able to send to your list after the fact. Everything else, including the "live part" of it is just a bonus.
  • Show the merchandise, tell stories about some pieces, and announce the sale. You worked hard to setup that booth.  Show it off! They key is you let your viewers know you are having a sale, even if they can't make it they can participate, and when the sale ends.
  • You can film it selfie style or ask a neighbor for a favor. Both work great and ultimately the overall production quality of the filming does matter anywhere near as much as showing off the booth and them getting to see you talk about your work.
  • Use the social network that has the biggest following. It can be Instagram, Facebook, Youtube or Tik Tok. The "live" part really is just a bonus.  The important thing here is you end up with a video, on social media, that you can email to your list and let them know the sale is running.
  • It helps to have the show up on your website so people can buy. If you have an eCommerce enabled website then put the entire show up on a page so folks can buy easily.  If not then you can just ask them to email you or send you a message on the socials.
  • After the video is completed. You grab the URL of the video and insert it into an email and send it to your entire list.  You let them know about the sale and when it ends. The video will also live on your social media site so people will see it that way also.

Don't overthink it! (almost all artists and photographers always do, and it massively gets in the way).  See how simple David's show was above. It can and should be that simple.

Read the guide on how to go live I linked to above.  Turn the cell phone camera on, talk about your show, and let them know about the sale.  Then email your list. 

You will be amazed at just how effective this can be.

๐ŸŽจ QR Codes

They (the technology) are almost 30 years old at this point yet few people in this country used them.

Then Covid hit.  Then, when the restaurants finally opened back up lots of them no longer had menu's.  You had to use your phone and scan the code for the menu.

Now the whole country, regardless of age or tech fluency, knows how they work which means its a good idea to use them in your booth.

You can use them in your fishbowl presentation like Kim is here.

Perhaps I am standing outside your booth and things are busy.  

I don't want to come in, I am not going to write down your website url, but I see your QR code.  

So I scan it quickly and move on.  Now contemplate how many times a day that could potentially happen; you quickly realize its worth printing out some signs for your booth.

Like many of the concepts in this guide you can start with the basics and work your way up to the pro level. 

The important thing here is to just get one on your booth so somebody that is outside can see it and scan it.

Some tips, tricks and hacks below.

  • Lot's of room to grow with QR codes, just start with one. The highest leverage use when just starting is for people that are passing by the booth and like your work and quickly scan and move on.  They are especially great when they can work for you when you are busy.  Many times you won't even realize people are scanning it.
  • They can be really effective on the outside of your booth. Always cover all of your real estate. If you sidewalls are gonna be seen why not have a QR code on there.  If you are gonna print out placards might as well have extras so you can always cover your valuable real estate. 
  • You can link to different places. You can link to your website, directly the piece in question, or even directly to an email opt in form.  You can really get creative with them and have different use cases depending on what you want your user to do.
  • Always test they work after you hang them up. First, sometimes they break. Second, if somebody colors on it with a sharpie or whatever (sadly its a thing), or it gets wet and the colors run,  they can also break.  So the smart operator always test's them out with their phones to make sure everything is working. 

You can even use them on coasters or any printed item.  Especially good on printed freebies.

QR codes, despite being almost 30 years old, have a bright future ahead of them. They are just getting started.

Covid has (finally) brought them mainstream to the U.S. and the smart artist is thinking about where in their marketing stack they can include them and at the top of that list is at in person shows.

Next we can talk about what to do after the show and then (finally, I know) wrap this post up.

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After The Show ๐ŸŒ„

"It's the after party, and after the party, it's the hotel lobby..." - Jay Z circa 2000

That might work for Jay Z but for the smart artist and photographer the minute the show ends is when the real work begins.

Often times, whether or not the show loses $, breaks even, or makes $ โ€” "in the show window" โ€”  is dependent on this next step.

You ran the fishbowl, you have some leads, so you pick a winner, email the fishbowl entrants,  announce the winner, and then for everybody else... you extend the sale.

Turns out everybody loves to see if they won so this email get's a very high open rate.

This guy almost purchased a huge print.  He did enter the fishbowl.  Your after the show winner email + extend the sale tactic is just the opportunity you need to get that sale over the line.

The big picture of this email is to try and capture all of the fence sitters.  The folks that almost bought.  The ones that left, went home, looked at the blank wall and thought of your piece on it.

Here are some pointers for the email and some different ways you can approach the sale after the fact.

  • In terms of email subject line: I like using thanks for coming to the show and its time to announce the print winner  
  • In terms of body copy: After you congratulate the winner, I like to let everybody know I never win anything either.  So as a way of saying thanks for entering, you are formally extending the sale.  If you have some great photos of the booth or video its nice to include those in the email as well.
  • What should the sale be? You can just extend the sale you had at the show or you can ramp up the discount percentage. If the show sale was 10% you can push it to 15% or 20%. Both can be effective and both should be tested.  Important part here is that you extend.
  • How long should the sale last? Again, you have some flexibility here, but I like to use between 48hrs up to a week.  If you increased the % off, of your discount, then I would shorten the window.  If its the same sale you can push up to a week.  Just as long as you have your scarcity you will be good to go. 

๐Ÿงฐ Pro Tip: This is extra credit but I like to also extend the sale for the entire email list.

You can email your entire list, let them know you had so much fun at your show, that you got a ton of entries to your fishbowl, that you extended the sale for those folks so as a way of saying thanks for being on your email list you are also extending the sale for them. 

Ok.  Time to sum things up. ๐Ÿ‘‡

Summing It All Up

I told you this thing was gonna be a beast ๐Ÿ‘น.

We felt strongly that if we had the audacity to call something the "Ultimate" anything we had better deliver. It is our sincere hope that you get a ton of value out of this guide and more importantly put it into practice.

These steps are the difference between just "doing a show" and dominating a show before, during and after the fact.

Again, we know for many, after reading all of this you are going to be overwhelmed. Totally ok and totally normal.  You do not need to do all of it at once.  You do what you can and you work your way up to the full playbook.

Monica didn't run her live art show on this one but that is ok.  She did what she could and she will get to it on the next one!

As long as you nail down the two most important steps; Properly sorting your inventory and running the fishbowl technique then you are 80% of the way there.

If you enjoyed this post you might want to check Art Storefronts out.  Not only can we help you when you do in-person fairs and shows, but we also teach our customers how to stay consistent and effective with their marketing and grow their businesses all year long.  Hit the button below and let's chat about your art or photography business. 

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In case you were wondering Art Storefronts has everything you need to start, run, and grow a successful art business. We are coming up on our tenth year in business and ๐Ÿ‘‡ is how our over 13000+ customers feel about us. We have been reviewed over 2000+ times on Trust Pilot, Facebook and Google.

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